Thesis (in Italian), University of Lecce, Lecce (Italy), 2001. Ferretti E., Modellazione del Comportamento del Cilindro Fasciato in Compressione, Ph.D. Bellina F., Bettini P., Tonti E., Trevisan F., Finite Formulation for the Solution of a 2D Eddy-Current Problem, IEEE Transaction on Magnetics, 2002, 38(2), 561-564. Ferretti E., Similarities between Cell Method and Non-Standard Calculus, Mathematics and Computers in Science and Engineering Series Nº 39 - Recent Advances in Computational Mathematics: Proceedings of the 3rd International Conference on Applied and Computational Mathematics (ICACM ’14), WSEAS Press, Athens (Greece), 110-115, 2014. Ferretti E., The Cell Method as a Case of Bialgebra, Mathematics and Computers in Science and Engineering Series Nº 34 - Recent Advances in Applied Mathematics, Modelling and Simulation: Proceedings of the 8th International Conference on Applied Mathematics, Simulation, Modelling (ASM ‘14), WSEAS Press, Athens (Greece), 322-331, 2014. The article demonstrates that “Babylon Revisited” aesthetically represents Fitzgerald's capacity to “make something out of nothing” by turning the thin air of dissipation and disillusion into economical yet valuable prose.Newton I., Philosophiae Naturalis Principia Mathematica, 1687. The aesthetic staging of these conflicts parallels Fitzgerald's own metatextual struggle to resolve his feelings of having too long squandered his literary talent with commercial short fiction, effectively reversing the plot's insistence that one cannot recover from dissolution.
Specifically, it argues that the story's dramatic tension rises from two interrelated conflicts between dissipation and legacy. This article examines the depiction of dissipation through a thorough stylistic analysis to provide formal evidence of the story's literary worth. But the story is also widely considered one of his greatest achievements, a complex exploration of the dissipating moral values of the 1920s that at once critiques the era's profligacy while reminiscing nostalgically over irresponsibility from the austere perspective of the Great Depression. On the one hand, it first appeared in the publication ( The Saturday Evening Post) that its author believed wasted his talent by forcing him to write for cash instead of the aesthetic accomplishment attainable in the novel. “Babylon Revisited” (1931) embodies a paradox in the Fitzgerald canon.
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